Friday, June 28, 2013

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  • Published on: 2014
  • Binding: Paperback

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Thursday, June 27, 2013

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  • Published on: 1647
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Getting to Know ArcGIS Desktop introduces principles of GIS as it teaches the mechanics of using ESRI’s leading technology. Key concepts are combined with detailed illustrations and step-by-step exercises to acquaint readers with the building blocks of ArcGIS® Desktop including ArcMap™, for displaying and querying maps, ArcCatalog™, for organizing geographic data, and ModelBuilder™, for diagramming and processing solutions to complex spatial analysis problems. Its broad scope, simple style, and practical orientation make this book an ideal classroom text and an excellent resource for those learning GIS on their own. A data CD for working through the exercises and a fully functioning 180-day trial ArcGIS® Desktop 10 software is included.

  • Sales Rank: #301219 in Books
  • Brand: ESRI Press
  • Published on: 2010-08-01
  • Ingredients: Example Ingredients
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.12" h x 1.20" w x 7.56" l, 3.10 pounds
  • Binding: Paperback
  • 592 pages
Features
  • Used Book in Good Condition

About the Author

Tim Ormsby works in product development at ESRI.


Eileen Napoleon is an educational specialist at ESRI.


Robert Burke is a senior instructor and technical writer at ESRI.


Carolyn Groessl was a technical writer for ESRI Press.


Laura Bowden currently works in GIS education at ESRI.

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17 of 17 people found the following review helpful.
ArcGIS Tutorials Galore
By PittsburghRic
This book is 592 pages of ArcGIS tutorials. If you like tutorials, then this is the book for you. These tutorials will walk you through anything you would ever want to do with ArcGIS, in painful detail. I was new to ArcGIS before reading this book, it's a complex and powerful program. This book is meant to be read cover to cover, unlike most software manuals & books where you can just jump to what you need to learn. So,.. if you need to learn ArcGIS then this book is for you, but if you just need to learn specific tasks/ tools/ functions this is probably not the book that you want.

23 of 24 people found the following review helpful.
Good learning material but three editions show little change
By IanO
I reviewed this title several years ago and highlighted the excellent training material and structure it provides. My view on that remains. However, this book has literally 99% the same content and structure of the earlier editions, so if you are looking for new material you wil be disappointed. The software changes relating to the training examples are largely cosmetic, one or two modified dialogs and toolbars. Nothing of substance.

Also, there is no requirement to purchase this book to obtain the 180-day evaluation software (which is ArcGIS 10 Editor version). Indeed, it is no longer bundled with the book, you have to download the 3.9Gb file, but you also get the evaluation key, so this latest edition is unnecessary.

My advice is, save yourself a whole lot of money, buy an older version and obtain the software via download. There is so little change to the book you will not be disadvantaged. Amazon currently (Dec 2010) has used editions from $17.13.

ESRI Press could have provided an 'update' pdf of changes, but I doubt it would have got beyond a page!

IanO - UK

2 of 2 people found the following review helpful.
Good Book but not so good support
By BOSarch
This book is well written but is not so practical to use because installing the trial software is almost impossible and all the exercises are based on having the program installed. If you already have access to the software than this is a great investment otherwise I would make sure you have it before buying this book. Also, good luck getting the 180-day version that they advertise in the book, you'll be lucky to get the 60-day version (you don't need to buy book for that) that will only be available through their website. Keep in mind the book only directs you to their website for any information on downloading trial software.

Was finnally able to istall the trial software and worked well and expired on the last day of course so I'm unable to continue practicing.

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Monday, June 24, 2013

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  • Sales Rank: #18846047 in Books
  • Published on: 1998-10
  • Original language: English
  • Dimensions: 11.25" h x 9.00" w x 1.00" l,
  • Binding: Paperback
  • 270 pages

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Tuesday, June 11, 2013

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Using common conventions and a shared language of tags, subfields, indicators, and codes, MARC 21 the latest code is a powerful integrated record format packed with information so all librarians can do their work more effectively. But you'll only be as effective using MARC as you are informed about its capabilities. Covering both the big-picture fundamentals and the basics of nuts-and-bolts details, MARC 21 for Everyone is the best and easiest introduction to MARC 21 available.

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  • Sales Rank: #1132975 in Books
  • Brand: Brand: Amer Library Assn Editions
  • Published on: 2003-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.86" h x .48" w x 8.38" l, 1.05 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

About the Author
Deborah A. Fritz is the co-owner of The MARC of Quality, a Florida-based company that provides training, software, and database services to help librarians create better MARC records. Formerly a cataloging trainer at a multitype library consortium and a cataloger at various libraries, she currently teaches an extensive array of cataloging workshops around the United States. She is the author of Cataloging with AACR2 and USMARC: For Books, Computer Files, Serials, Sound Recofrdings and Videorecordings (ALA, 1999). She is co-developer of several MARC processing programs, including MARC Report and MARC Global. Fritz earned her master's degree in library science at the University of Toronto.

Richard J. Fritz is the other half of The MARC of Quality. Formerly a library systems administrator for a medium-sized school district and, before that, in charge of authority control cleanup at a large bibliographic utility, his professional career has always involved MARC database processing in some capacity. His current work includes designing MARC processing software MARC Report and MARC Global for use by the library community and for in-house processing. He earned his library degree at the University of Toronto and also holds two other master's degrees.

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2 of 2 people found the following review helpful.
As good as a book on MaRC records can be
By Kaeli Vandertulip
OK, so it's not a page turner and it won't top a best seller list. But for a cataloging student or anyone needing to polish up on MARC records (don't forget to check your copy cataloging every once in a while :) ), this book is a very friendly, easy to reference source. The authors are not kidding when they warn you not to use this book to catalog (thank you, OCLC's Librarian Toolbox LOL), but it is useful to have close at hand for refreshers. Plus, the end of chapter practices are a handy way to make sure the information's stuck before trying to create your own tags.

2 of 2 people found the following review helpful.
Marc21 for everyone
By M. HARDT
This book does just what it says -- it's an introductory overview for Marc21. If you need to do detailed cataloging, it isn't what you need. It only covers about 1/2 of the fields.

1 of 1 people found the following review helpful.
Just the highlights.
By Christopher Carden
While I've used this book as a reference actually on the job it's a little too skimpy for my purposes. There aren't enough examples of the various fields and subfields! It's really only an overview and not a particularly good reference for MARC. It would be okay for someone new to MARC that just wanted to get their feet good and wet.

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[E647.Ebook] Download Rebel Code: Linux And The Open Source Revolution, by Glyn Moody

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Rebel Code: Linux And The Open Source Revolution, by Glyn Moody

"Open source" began as the mantra of a small group of idealistic hackers and has blossomed into the all-important slogan for progressive business and computing. This fast-moving narrative starts at ground zero, with the dramatic incubation of open-source software by Linux and its enigmatic creator, Linus Torvalds. With firsthand accounts, it describes how a motley group of programmers managed to shake up the computing universe and cause a radical shift in thinking for the post-Microsoft era. A powerful and engaging tale of innovation versus big business, Rebel Code chronicles the race to create and perfect open-source software, and provides the ideal perch from which to explore the changes that cyberculture has engendered in our society. Based on over fifty interviews with open-source protagonists such as Torvalds and open source guru Richard Stallman, Rebel Code captures the voice and the drama behind one of the most significant business trends in recent memory.

  • Sales Rank: #1374540 in Books
  • Brand: Brand: Basic Books
  • Published on: 2001-01
  • Released on: 2001-01-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.02" h x 6.42" w x 9.56" l,
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Everyone in computing has heard of Linux--hundreds of millions use it every day. Every Net user accesses Linux systems dozens of times during any Net session. Yet, because people associate products with companies, Linux--with its thousands of largely anonymous volunteer developers and free availability--is a difficult fit with our world view.

Rebel Code puts Linux into historical and social contexts. Based largely on interviews with the main players and precise historical data (Linux kernel releases are dated to the second), it traces "free software" from its early '80s origin--with Robert Stallman's founding of the GNU Project--and takes it as far as the end of 2000--with GNU/Linux becoming a worldwide phenomenon that runs handheld PDAs, PCs and Macs, IBM mainframes, and the world's biggest supercomputers.

Glyn Moody charts every milestone in the development of the Linux kernel, from Linus Torvalds's first installation of Minix. As importantly, he follows the progress of major "free software" projects (essential to the success of GNU/Linux) from Emacs and GCC to Sendmail and XFree 86, and finishes with KDE and Gnome.

The end result is a curiously exciting and compulsively readable tale that compares with Tracy Kidder's book, The Soul of a New Machine. It's endlessly fascinating, and you'll be up reading well past your bedtime. --Steve Patient, Amazon.co.uk

About the Author
Glyn Moody is a London-based writer who has tracked, used, and written about Linux almost since its inception. He has published major features on it in Wired, Computer Weekly, and The New Scientist.

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5 of 5 people found the following review helpful.
A refresh review
By Gary E. Albers
The most recent previous review is now about three years old, so an update may not be out of place. This book is a decade old, published shortly after the turn of the millennium and, more importantly, a couple of years after Gnu/Linux and the open source movement finally hit the big-time; i.e., acceptance by, and endorsements from, some of the major players in the computer arena, like IBM, Sun, Dell, Intel, etc.

The author boasts that, at the time of writing, the Apache (open source) server software was used on about 25% of servers on the internet; today that figure has tripled to an astounding (approx.) 75% share! The Gnu/Linux operating system, largely fueled by the Ubuntu distribution and the Gnome and KDE desktops (GUIs), is used by a respectable share of the desktop computer community world-wide, and is growing at a healthy rate.

While the author's predictions for the future of Gnu/Linux and open source software was decidedly optimistic, it was still somewhat tentative. However, subsequent growth during the last decade has been phenomenal. Not only does it appear that open source software is here to stay; it may even eventually come to dominate over traditional costly, proprietary software. There is now no shortage of experienced computer users, myself included, who are willing to make the case that the Gnu/Linux operating system, the Apache server, and the Firefox browser are much superior to the offerings of their closed source, for-profit competitors (e.g., Microsoft and Apple).

This book is still an excellent place to start for anyone interested in both the history of, and philosophy behind, open source software. Here's where to learn about the formative years and the leading figures behind the movement, larger than life characters like Richard Stallman, Linus Torvalds, Eric Raymond, Larry Walls, etc. It's also a good place to learn just why it is that the open source method of creating software has been able to produce such superb products. Highly recommended.

0 of 0 people found the following review helpful.
A must read for the Linux person who wants the History behind the product and its Creator (and company of help).
By Amazon Customer
A must read for the Linux person who wants the History behind the product and its Creator (and company of help).

6 of 6 people found the following review helpful.
The history of the development of Linux in detail
By Maxim Masiutin
The book is mainly based on the information collected by the author from various people via e-mail, telephone or personal communication between September 1999 and September 2000, and the interview with Linus Torvalds at a critical juncture in his life, in December 1996, as well as other interviews with key players from the last three years.

The book begins with a story of Richard Stallman, who labored for years to create a Unix-like system, written from scratch that would be free. Hw worked alone at first; then he gradually received contributions from to others, including - thought neither of them knew it in 1991 - Linus, whose Linux program would provide the last major pieces still missing from Stallman's huge software jigsaw puzzle.

The book covers the GNU project from its formal beginning, when in January 1984 Stallman started working on Bison, which was a replacement for Yacc. Having limbered up with this relatively minor task, he moved on to one of the most important. One of the key elements of a Unix system is the C compiler. After an unsuccessful attempt, he returned to Emacs and released GNU Emacs in September 1984. In October 1985 he has founded Free Software Foundation and then proceeded with C compiler and the C library.

The book then describes the biography of Linus, his years at the university and his work on his operating system, his experience with Minix, quite popular at that time in academic area, and fight with Tanenbaum, the author of Minix. The book then brings out the history of the development of Linux in detail.

Besides Linux, this book covers Open Source movement in Netscape, the development of TEX, Perl, Cygnus, etc., and how big companies like IBM adopt Open Source software and contribute to its development.

I would also recommend "The Cathedral & the Bazaar" by Eric S. Raymond in addition to this book.

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Sunday, June 9, 2013

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  • Published on: 2014-02-04
  • Binding: Paperback

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Wednesday, June 5, 2013

[Z493.Ebook] Download Ebook Recording Music on Location: Capturing the Live Performance

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Recording Music on Location: Capturing the Live Performance

  • Published on: 1600
  • Binding: Paperback

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Sunday, June 2, 2013

[Z906.Ebook] Download A Painter's Progress: A Portrait of Lucian FreudFrom Jonathan Cape

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A Painter's Progress: A Portrait of Lucian FreudFrom Jonathan Cape

For nearly twenty years David Dawson was Lucian Freud’s assistant, companion, and model. Freud moved in rarefied, powerful circles and was tenacious about protecting his privacy. He also carefully avoided distraction. With few exceptions, he wanted only those he knew well, like the late Bruce Bernard, to photograph him. David Dawson, however, was in a unique position, and as Freud became comfortable in the presence of Dawson’s camera, photographing became part of the daily ritual of the studio. These photographs reveal in a most intimate way the subjects and the stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time.

Despite Freud’s sense of privacy, his circle was wide. Among those who regularly visited Freud were figures from the art world, including art historian John Richardson, and painters David Hockney, and Frank Auerbach, along with model Kate Moss and friends such as the Duke of Beaufort. The book begins in Freud’s old studio in Holland Park and then records the artist in his eighteenth-century house in Kensington, the first floor of which was his final studio. Dawson also photographed Freud on his visits to look at masterpieces in various museums in New York, Amsterdam and Madrid. The book ends with views of the rooms in which Freud’s own extraordinary collection of paintings was hung. It is the only record of the house itself before the dispersal of the art on his death, but ultimately, the photographs create an intimate portrait of the man. The final images in this book are of the hanging of Freud’s work in his posthumous London exhibition at the National Portrait Gallery. Haunting and fascinating, this is a revelatory document about one of our most important and influential painters.

  • Sales Rank: #3948221 in Books
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.60" h x .83" w x 12.60" l, 4.96 pounds
  • Binding: Hardcover

About the Author
David Dawson was born in Wales in 1960. After leaving the Royal College of Art, he combined his work as a painter with becoming an assistant to Lucian Freud; he remained with him until Freud’s death in 2011. His photographs, alongside those of Bruce Bernard, were published in Freud at Work in 2006. Dawson’s paintings have been shown at Pallant House Gallery, Chichester, and by Marlborough Fine Art. His photographs of Lucian Freud have been exhibited at the National Portrait Gallery in 2004, at Hazlitt Holland-Hibbert, London, and at the Sigmund Freud Museum in the former Freud apartment in Vienna in 2013. He divides his time between London, Wales, and New York.

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5 of 5 people found the following review helpful.
You cannot help but be a little disappointed in this book when none of the reviews tell ...
By Ted Epand
You cannot help but be a little disappointed in this book when none of the reviews tell you that there is hardly any written content. It is basically a picture book. I'll agree that the photos are revealing, that the content is appealing, and the potential was so astounding! But the letdown, when you are done reviewing the photos, and have so many questions about the man, about the author, about the work. Little is said, which kind of makes you feel that the author is angling for a future "tell all" to bring in additional cash.

4 of 4 people found the following review helpful.
, A Great Portrait of the Life of Lucian Freud
By Christopher Schindler
This review is written by Christopher's wife, Christine Zachary.

As a painter myself and admirer of the work of Lucian Freud, I've read many books and articles about him. I checked most out of the library, but actually purchased this book after getting it from the library as I think it is something valuable to another artist, and it has been made and compiled by a remarkable artist himself, David Dawson.

David Dawson must be quite an interesting person to have spent so much time with Lucian Freud and to have helped make it possible for a genius like Freud to paint more easily due to Dawson's assistance. He also took the many photos which comprise this book. The photos are extremely beautiful, arresting works of art in and of themselves. I wonder actually whether Dawson isn't a natural photographer rather than a painter as they are all such good compositions and use light and shade much as Lucian himself used it in his paintings.

I had to own the book for the photos and for Dawson's very tasteful reticence to gossip or write much at all. I believe that an artist deserves to have a certain amount of privacy attached to his life. What after all do we know about Shakespeare or many great painters. Do we really need to know all the stuff about Van Gogh when his sunflowers are perhaps "enough". There is already too much written about Freud. (in my view of course) Dawson simply lets himself and the artist he is depicting speak for themselves.

I hope Mr. Dawson will do another book of photos, and again recommend this book wholeheartedly.

3 of 3 people found the following review helpful.
Behind the scenes
By Andrew Everett
A Painter’s Progress is a collection of 241 behind-the-scenes photographs taken by David Dawson, who was Lucian Freud’s assistant for nearly twenty years. Many of the photos taken in Freud’s studio include nude models, portrait sitters, and his whippets, Pluto and Eli. There are photos documenting several iterations of works in progress. Other photos include Freud viewing artwork in museums, meeting prominent people, having breakfast, and relaxing at home. There are also photos showing Freud’s posthumous exhibition being installed at the National Portrait Gallery in London.

The messy walls are a quirky feature of Freud’s studio. “The walls were covered in semi-dry, clotted paint scraped from his palette when he cleaned. The paint was left to dry out of reach, building up over many years like deposits of guano on rock. He also used any bare wall to scribble reminders about a particular painting, phone numbers or paint colours that were running low. I would come to check the walls as a kind of ongoing diary.”

Awkward is a word often used by critics describing Freud’s paintings. “He always tried to catch a scene rather than compose it. Speaking to Bill Feaver, Lucian has said, ‘If I’m putting someone in a picture I like to feel that they’ve fallen asleep there, or they’ve elbowed their own way in. They are there not to make the picture easy on the eye or more pleasant...’ He liked things to look awkward in the way that life looks awkward. The idea of a story didn’t bother him as he thought ‘everything’s a story’.”

“He would come very close to the sitter to get more information from different angles. Once he had what he needed he would clean the palette of its previous colour with his knife, adding paint to the wall. Then he would remix a new colour for almost every brushstroke. He didn’t want a single colour to dominate a painting. Once the fresh colour was mixed he would look again at the sitter, make any further adjustments to the colour, and when he felt he had enough information he would paint. He wanted his portraits of you to be how you are.”
Dawson also includes some direct quotes from Freud about painting his subjects:

'You have to trust what you see and what you feel… I never put anything into a painting that I don’t actually see when I’m painting… I am always reacting to what is there. You have the person in front of you and you are trying to relay something of who the person is as a physical and emotional presence.'

'If you don’t over-direct your models but focus on the physical presence, interesting things often happen.'

'Being naked has to do with making a more complete portrait. A naked body is somehow more permanent, more factual. When someone is naked there is in effect nothing to be hidden. Not everyone wants to be that honest about themselves… That means I feel an obligation to be equally honest in how I represent their honesty. It is a matter of responsibility.'

'In a way I don’t want the painting to come from me. I want it to come from them.'

“As a sitter you held the position of being passive, with Lucian continually encouraging you. He made you feel that you were understood by him. He could not be shocked by any confession or by anything said. He was immensely interested in other people. There was always a sense of balance around Lucian.”

The book includes photos of Queen Elizabeth II posing from her portrait at Saint James Palace. “The Queen was very generous and cleared her calendar for the amount of time that would suit Lucian and give him every chance to complete the painting. Henrietta Edwards, a courtier, stepped in as the model when it came for the diadem [crown] to be painted. The following year he painted Henrietta’s portrait, Woman with Eyes Closed.”

Dawson describes Freud’s friendship with Frank Auerbach. “The depth of the friendship between the two was reflected in the fact that when Lucian was near to finishing a painting we would always phone up and ask Frank to come round. He was the one person Lucian would listen to. He would take something from what Frank might say about a painting. Frank would arrive at the studio at first light. Lucian was a huge admirer of Frank’s work and lived with many of his paintings. He told me that these paintings were the ones he wanted to live with, learn from, and inspire him.”

For painters interested in Freud’s materials, the book includes a list of Freud’s twenty favorite paint colors. The author also notes, “Lucian told me that the most helpful book on paint is The Materials of the Artist and Their Use in Painting by Max Doerner.”

The book has much less text than I expected. Given the author’s special access, I’m sure he has many more interesting insights and stories about the artist’s life, but maybe less is more. Maybe a picture is worth a thousand words. In any case, these photos offer an interesting behind-the-scenes look at the life of a contemporary master of representational art.

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